CHARACTERS
Anne Frank (Female, 13–15): The central protagonist, now portrayed with more raw intensity, wit, and introspection. She is a spirited, intelligent, and determined young girl whose writing serves as an escape. Kesselman’s version highlights her maturation from a talkative child to a thoughtful, desperate teenager facing the "increasing horror" of her time.
Otto Frank (Male, 50s): Anne’s calm, intellectual, and patient father. He is the anchor of the Secret Annex, providing comfort and stability to all residents, particularly to a devastated Anne in the final scenes.
Edith Frank (Female, 40s): Anne’s reserved and proper mother. She struggles with the confinement and with her strained, distant relationship with Anne, often wishing she were more like Margot.
Margot Frank (Female, 16–18): Anne’s quiet, reserved, and obedient older sister. She is studious and frail, acting as a foil to Anne’s outgoing personality.
Petronella Van Daan (Female, 40s): A vain, finicky, and often dramatic woman who brings personal items (like a fur coat) into hiding, causing conflict. She is frequently loud and critical.
Putti (Hermann) Van Daan (Male, 40s): An irritable, selfish man who often argues with his wife and the others, particularly over food. He is a former business partner of Otto Frank.
Peter Van Daan (Male, 16–18): The shy, awkward son of the Van Daans. He matures from a withdrawn youth into a supportive friend - and love interest - for Anne.
Jan Dussel (Male, 50s): A fussy, anxious dentist who joins the group later. He is often portrayed as slightly comedic but also frustrating to live with in close quarters.
Miep Gies (Female, 20s–30s): A brave Dutch woman who risks her life to help hide the occupants, providing food and supplies.
Mr. Kraler (Male, 40s): The owner of the business who helps hide the group, acting as a link to the outside world.
3 men - There are three Nazi soldiers who appear at the very end of the play. They do not have any lines except for some short commands in German, but it is their appearance in the play that changes the course of everything for the “attic family”